The HBO comedy is better as a friendship story than as a love story.
Every week, we pick a new episode of the week. It could be good. It could be bad. It will always be interesting. You can read the archives here. The episode of the week for September 9 through 15 is “High-Like,” the fifth episode of the third season of HBO’s Insecure.
Why do you watch your favorite TV show? What is it about it that makes you keep coming back to it, again and again?
That’s a deceptively simple question — yet one that’s often very difficult to answer. And of course, the answer will vary from show to show. I might watch Game of Thrones for its elaborate world-building, and Superstore for its lovely character work. The Handmaid’s Tale lets me look at our reality through a skewed lens, while Stranger Things takes me away from it entirely.
But when a show reveals that it’s prioritizing something other than what you care about most, while that may not be a dealbreaker, it can be hard to push past. That’s how I felt as the latest episode of the HBO comedy Insecure, one of my favorite shows, reached its final scene and revealed something the show had clearly been holding onto for some time. I sighed in frustration. My wife squealed in delight. Clearly, we were watching for two very different reasons.
But to talk more about that, I’m going to have to spoil what happened, so if you haven’t seen the episode, you may want to go watch it before you read further.
Do you watch Insecure for the love story or for the friendship story?
What’s most surprising to me about my response to “High-Like” is that, up until its final scene, “High-Like” had been one of my favorite episodes of Insecure to date, because it foregrounded the part of the show that I care about most: the story of a group of friends in their early 30s, navigating the tricky blend of personal and professional lives together.
The episode sends Issa (Issa Rae, also the series’ co-creator), Molly (Yvonne Orji), Kelli (Natasha Rothwell), and Tiffany (Amanda Seales) to the Coachella music festival, so that they might check out Beyoncé’s groundbreaking performance from earlier this year. In true TV comedy fashion, they never succeed in actually getting to see Beyoncé, much less right up front.
They keep getting waylaid by a variety of amusing calamities and poignant meetings, and the episode skillfully pivots from the hilarious (Issa trying to wake up her friends after they all fall asleep while waiting for Molly to show up after work, by banging sheet pans together) to the moving (Issa and new love interest Nathan connecting in a broken Ferris wheel car).
It’s not the show’s most plot-heavy episode, but the combination of the Coachella setting and the characters cutting loose makes for an installment that feels like a respite from the rest of the season’s stories, which have focused on Issa and Molly’s professional dissatisfaction, as well as Issa’s love life in the wake of former boyfriend Lawrence (Jay Ellis) exiting her life permanently at the end of season two. And if you’ve seen the episode already, you can probably guess what I’m going to talk about next.
The episode ends with Issa walking into a 7-11, where she bumps into Lawrence himself, completely unexpectedly. It turns out he hasn’t exited her life — or the show — as permanently as viewers might have thought (or heard). And judging from some of the Twitter reactions I saw, Lawrence’s return was something Insecure had to have known would delight its fans.
I wasn’t quite so happy. I really loved the way the first two seasons of Insecure dug in and examined why the Lawrence and Issa pairing wasn’t quite right, and looked at how both halves of that equation would need to spend some time maturing before they might be able to come together in a way more beneficial to both of them. Bringing Lawrence back just five episodes after the season two finale solidified their breakup felt a little like the series was reneging on a promise it had made to me.
And, look, I know how television works, so I know that Insecure was almost always going to end (several seasons down the road, hopefully) with Issa and Lawrence together, because you don’t invest that much time and attention in a couple without eventually paying it off. And I also know that actor contracts often necessitate paying for a full season, even if you’re not going to use an actor that much, so why shouldn’t Insecure get its money’s worth out of having Jay Ellis around, right?
But it was the first time I felt like the show was letting its fans — who are notoriously super into Lawrence — make creative decisions, instead of deciding for itself. We know so much about Issa and Lawrence’s connection and surprisingly little about Issa’s connection with her three best friends (something Tiffany brings into the text of the show by fretting over her place in the group in the scene immediately before Lawrence’s return). Those relationships deserve just as much attention. That’s obviously an unfair criticism, because if anybody can find new stories to tell featuring Lawrence, it’s Rae and her creative collaborators. They haven’t steered wrong so far.
But it’s still what I felt, because I was so enjoying this season’s focus on other aspects of Issa’s life. And it left me wondering if Insecure is meant to be a coming-of-age story about a woman in her 30s, or a romantic comedy. And if it’s more the latter than the former, is that the show I signed on for?